Hungary, through many eyes, is a country of extremes. It lies on the fringes of Europe, unlike most European countries it is landlocked, and commonly experiences scorching heat in the summer and tree-cracking cold in winter. The Hungarian language is also one of a kind with no near relations; this allows a defensive impenetrability, but engenders a cultural homogeneity almost like that of Israel.
There are sights that immediately tug at the heartstrings for many people, perhaps more than we imagine. To my mind, a sight of the open road is a symbol of freedom, of potential; of the choice to go or to stay, to feel that one’s personal space extends beyond the horizon. This last sensation is commonplace among native peoples the world over, but I encountered it first among the Sami inhabitants of Northern Scandinavia.
A tranquil rural scene in Sweden; in this bucolic setting, I formed several striking memories. The best was from the shed in the background; it was the location of a nest from where a newly fledged Pied Wagtail fluttered down and settled on my hand for a few minutes. The most surreal was to open the tent flap on a misty morning with the sun breaking through on the magnificent Harley Davidson in the picture. How it could have arrived there silently in the night was baffling, and there was no-one around to explain it. Other aspects of Tannas (in Jamtland), provided painful lessons.
“Texas always seemed so big, but you know you’re in the largest state in the Union when you’re anchored down in Anchorage”
(song by Michelle Shocked, theme to this summer, sung by Mary McCarthy)
Lumpy air buffeted the plane as we coasted over a choppy looking sea and threaded between snowy peaks toward our landing. This was the land that Jack London had brought alive for generations of armchair adventurers; land that offered promise, a sanctuary, a new start for so many, and literally a dead-end for as many more.
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Or; a funny thing happened on the way to the theatre.
I’d never envisaged a situation where I would encounter a sculptor with a scalpel; well, perhaps becoming the object of a sculpture is taking the analogy a bit far, but it certainly involved phenomenal levels of skill, imagination and attention to detail. In life we rarely become part of the ‘installation’, but this is the best image I can conjure of a surgical team. I felt at the time that I was absorbed into the cosy collaboration of a dedicated repertory theatre group in a spirited rendition of a favourite performance for them, but an important one for me.
Waiting for the Oporto train to take us to Vila Nova de Cerveira, I’m, brought to musing, watching people moving around our planet. And years glide sweetly by, downstream; with many changes and many things the same, I sit again with pen in hand, with two houses and two girlfriends behind this present peregrine.
Collecting STUFF. We all do it in some way or another but collecting passport stamps as a pursuit in itself, rather than incidentals that just happen from time to time always veers a bit close to braggadocio for me. Nevertheless just as train and car number plates fascinate some people, so do passport stamps. It takes all sorts ! (I have to admit my own peccadillo is collecting CAA airport significator codes – LHR, DEL, MCW etc).
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In the mid 1990’s a company I was working for as a tour leader wanted to capitalise on the Channel 4 TV series “Beyond The Clouds”, the name referencing a mis-translation of “Yunnan” (South of the Clouds), a province of southwest China. I would be the first person from the office to visit the area and therefore there was no tour leader manual, save some pages photocopied from the Lonely Planet China guide for the region.